Theatre Review: ‘Namíbia, Não!’ by Aldri Anunciação
In the year 2021, the government of Brazil have announced that all those of African descent are to be repatriated back to the…
Review
Music Review: ‘Stop the Violence’ by Guts
International outfit Guts have chosen a befitting moniker. They’re certainly not afraid of unchartered territory. They have a similar revolving door approach to their…
Book Review: ‘Stay with Me’ by Ayobami Adebayo
Yejide and Akin’s fairytale romance is being put to the ultimate test by the pressure to conceive. Akin’s family have taken matters into their…
Puma Blue – Swung Baby (E.P.)
Puma Blue Swum Baby E.P. (Inner City Float) 8/10 Take the softness of Elliot Smith’s sincerity and sadness, the warmness of Jeff Buckley’s longing;…
Theatre Review: ‘Custody’ by Urban Wolf & Tom Wainwright @ The Oval Theatre
Brian, a young man of Nigerian descent, is killed by the police following what was supposed to be a ‘routine’ stop and search. The…
Theatre Review: ‘New Nigerians’ by Oladipo Agboluaje @ The Arcola Theatre, London
Greatness Ogholi (Patrice Naiambana) is a rare political creature. A veteran Nigerian socialist tired of the self-serving political elite, he announces his intentions…
Review: A World of Masks by The Heliocentrics (Soundway Records)
Sometimes a record really surprises you and surpasses your expectations. I’ve been digging Malcom Catto and The Heliocentrics for a few years now but…
2016 – A retrospective
Hello dear reader, 2016 is drawing to a close and it’s been memorable year to say the least, and whilst the increasing lean to…
Theatre Review: ‘They Drink it in the Congo’ by Adam Brace
Professional do-gooder Stefanie Cartwright (Fiona Button) is trying to organise an awareness-raising event about the dire socio-political situation in the DRC. ‘Trying’ being…
Event Review: Africa Utopia @ the Southbank Centre: ‘The Mandela Trilogy’
For the uninitiated, a night at the opera can be an intimidating prospect. This might well remain the case even with an accessible…