It is generally acknowledged that the most esteemed and significant African artist in the second half of the 20th century was the modernist, Ben Enwonwu.
Afropean is excited to highlight two new theatrical pieces by British African and Caribbean writers, playing at the world-renowned Edinburgh Fringe Festival this month: Dugsi Dayz
I disembark at Ostende station (left) one sunny but fresh Sunday morning in late Spring. The Belgian coastal city has been a source of fascination
“Oh, what a tangled web we weave…when first we practise to deceive.”—Walter Scott, Marmion The Double Crossers and Situational Passers There are plenty of sober
“There ain’t a white man in this room that would change places with me. None of you. None of you would change places with me,
Having read this title by Olivette Otele (the UK’s first Afrodescendant female history professor -Ed.) I felt like I was catching up on the Afropean